Ursi's Eso Garden

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The ancient Chinese conceived the world in terms of five elements–earth, wood, fire, metal, and water–created by the interaction of two fundamental forces: Yin (passive) and Yang (active).

All natural phenomena were caused by the dynamic interaction of the five elements,which corresponded with the five directions of the terrestrial realm (east, south, west, north, and center). The five colors (blue, red, white, black, and yellow), the animal deities (dragon, phoenix, tiger, tortoise, and snake), and the seasons of the year (fall, spring, summer, and winter) were also used to symbolize the five directions. The placement of the symbols on a dragon robe, based on the diagram of the Chinese cosmos, was believed to enhance the wearer’s mystical relationship to the universe.

Earth was the center of the universe, represented by the Yellow Emperor, and was to be ruled by the emperor. The color yellow was reserved for the emperor and the opening within the collar of the dragon robe was understood to represent the center of the world. Once the dragon robe was donned the emperor was firmly in charge on earth.

The use of rich symbols and colors was especially important for rulers who hoped to achieve harmony of the natural and human worlds through performing the correct rituals and ceremonies. The robes were often conceived as abstract representations of the universe, with the emperor (his head, to be exact) at the center, reflecting the view that imperial authority was an integral part of the universal order.

During the Qing dynasty, a complex system of clothing styles and decorative motifs was developed. Qing dynasty fashion reflected the dual influences of the nomadic Manchu conquerors and the sophisticated Han Chinese. This on-line exhibition provides a greater understanding of these objects in their historical context and a brief introduction to the rich symbolism of Chinese design. The dragon robes are not only beautiful objects, but also meaningful expressions of a Chinese worldview.

Ayurveda is the oldest surviving complete medical system in the world. Derived from its ancient Sanskrit roots - ‘ayus' (life) and ‘ved' (knowledge) – and offering a rich, comprehensive outlook to a healthy life, its origins go back nearly 5000 years. To when it was expounded and practiced by the same spiritual rishis, who laid the foundations of the Vedic civilisation in India, by organising the fundamentals of life into proper systems.

The main source of knowledge in this field therefore remain the Vedas, the divine books of knowledge they propounded, and more specifically the fourth of the series, namely Atharvaveda that dates back to around 1000 BC. Of the few other treatises on Ayurveda that have survived from around the same time, the most famous are Charaka Samhita and the Sushruta Samhita which concentrate on internal medicine and surgery respectively. The Astanga Hridayam is a more concise compilation of earlier texts that was created about a thousand years ago. These between them forming a greater part of the knowledge base on Ayurveda as it is practiced today.

The art of Ayurveda had spread around in the 6th century BC to Tibet, China, Mongolia, Korea and Sri Lanka, carried over by the Buddhist monks travelling to those lands. Although not much of it survives in original form, its effects can be seen in the various new age concepts that have originated from there.

As the new millennium approaches, the world's oldest religions is donning shining new clothes. The age-old Hindu philosophy passed from mouth to mouth in tiny villages across India is now going high-tech, thanks to Hinduism Today, the preeminent global journal of Hindu Dharma. This Hawaii-based publication is shedding its broadsheet image after 18 years and transforming into a sleek, easy-to-carry, full-color magazine. Its on-line version is not quite as eye-catching but will bring every aspect of Sanatana Dharma to millions of Internet users across the world. Hinduism, which had always been the domain of unchanging swamis in far-off ashrams, is now entering the

Four fabric art meditations on the natural elements of earth, water, fire and air. These images are all based around spiraling energies, set within the ancient mandorla shape symbolic of the Divine feminine.
Invoke the four directions dressed in style! Or add a great accent to a costume. These are very soft, flowing garments with elegant lines. Extremely comfortable! These light Capes are designed to be a decorative accent or sun protection.

Fire Elemental Cloak:

A golden dragon, symbolizing life force energy and longevity, holds a crystal ball in front of a blazing sun disc, invoking the energies of fire: energy, passion, light, movement.

Magical Cloaks and Capes

The Los Angeles Times has written that the work of self-taught artist Daniel Martin Diaz "... is steeped in traditional Roman Catholic iconography culled from Diaz's Mexican American upbringing as well as medieval and Renaissance art. But the artist's spin on this iconography, however shaped by his own faith, is also informed by the likes of Mark Ryden, the Clayton Brothers and other Lowbrow artists. It is broodingly personal and lends the work a compelling, esoteric edge ..."

The Art
of Daniel Martin Diaz

Island of the Giants

The three small islands of Malta, Gozo and Comino float in the middle of the Mediterranean Sea, south of Sicily and east of the Tunesian coastline. Though small, their history dates back thousands of years – and continues to throw a magical spell on many visitors. And we need to ask whether the modern tourists are the last in a series of sun worshippers that came to these islands.
Various megalithic monuments are located on Malta, dated at approx. 4000 BC. What is important is that the buildings are unique in style and that their builders – as is so often the case – are unknown.

Archaeologists have discovered an intact, ancient Egyptian tomb in the Valley of the Kings, the first since King Tutankhamun's was found in 1922. A University of Memphis-led team found the previously unknown tomb complete with sarcophagi and five mummies. The archaeologists have not yet been able to identify them.

Use your mouse to control.
To jump press mouse button on the little girl. A power bar will appear.

Coose your power level aand release the mouse button.

Collect all stars an catch the falling.

Pocketful Of Stars

A lovely game ...

The center circle contains a vajra, made of rubies and turquoises, that defines the sacred space of the mountain. Gem flowers and bejeweled symbols of the eight auspicious signs of Buddhism “float” in a cosmos composed of tightly wound wire spirals symbolizing the surface of the water. The lavish beauty of this jewel encrusted Guru Puja Mandala clearly demonstrates that both the known patron and the artist were seeking to give new meaning to the transcendent beauty and celestial splendor of Mount Meru.